Araf

Films

1

4

Didem Pekün, Araf, Videostill, 2018
Didem Pekün, Araf, Videostill, 2018
Didem Pekün, Araf, Videostill, 2018
Didem Pekün, Araf, Videostill, 2018

Contributors

Didem Pekün

A film by:

Didem Pekün

Produced by:

locus athens (Maria-Thalia Carras & Olga Hatzidaki) / Didem Pekün

Cinematographer:

Petros Nousias gsc

Icaros:

Dino Barjic

Editor:

Didem Pekün

Sound:

Theofilos Botonakis

Sound design:

Early reflections (Fatih Rağbet &Eli Haligua)

Post-production supervisor:

Manthos G. Sardis

Assistant director:

Dino Omerovic

DCP mastering:

Angelos Mantzios

ARAF is an essayistic road movie and diary of a ghostly character, Nayia, who travels between Srebrenica and Sarajevo to Mostar in Bosnia. She has been in exile since the war and returns for the 22nd memorial of the Srebrenica genocide. The film is guided by her diary notes of the journey which merge with the myth of Daedalus and Icarus – Icarus being the name given to the winner of a bridge diving competition in her home country. The story of Icarus and Daedalus, a myth symbolic of man’s over-ambition and inevitable failure, is weaved throughout the film as a way to think about exorcising the vicious cycle of such events happening in the future and of a possible reconciliation. Nayia also thinks of Icarus from a different perspective, that of seeing the optimism of such a leap, his braveness of taking a leap into the unknown in this era of radical instability, that perhaps, Icarus wanted to write a different narrative. ARAF thus traces these paradoxes through Nayia’s displacement and her return to her home country post-war – that of a constant terror and a permanent standstill, and the friction between displacement and permanence.

 

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